一九七零至八零年代是香港經濟快速增長的年代，社會資源也較戰後初期充裕。現代建築技術的應用，使城市的面貌煥然一新：核心區域摩天大廈林立，就算是一般的住宅區，樓高也有二十多層，新市鎮亦逐漸都市化。城市藉著各式各樣的現代設施如啟德機場的跑道、過海隧道、高速公路、地下鐵路等等成為國際知名的大都會；而社會貧富懸殊的情況，也好像其他大城市一樣，日趨嚴重。

一九七零至八零年代是香港經濟快速增長的年代，社會資源也較戰後初期充裕。現代建築技術的應用，使城市的面貌煥然一新：核心區域摩天大廈林立，就算是一般的住宅區，樓高也有二十多層，新市鎮亦逐漸都市化。城市藉著各式各樣的現代設施如啟德機場的跑道、過海隧道、高速公路、地下鐵路等等成為國際知名的大都會；而社會貧富懸殊的情況，也好像其他大城市一樣，日趨嚴重。

"Gossip Girl meets The Hunger Games." --Bustle "Like Mean Girls, but British and deadly. . . . This book is great, from start to finish." --Hypable Get ready for one deadly weekend in this twisting thriller for fans of Pretty Little Liars and One of Us is Lying that explores just how far the elite at an English boarding school will go. Greer MacDonald has just started as a scho...(展开全部)

Originally published in 1983 and named one of the Best Books of the Year by the New York Times, this bestselling history is now revised and updated and includes a new final chapter. "Truly a distinguished work of history...Modern Times unites historical and critical consciousness. It is far from being a simple chronicle, though a vast wealth of events and personages and histori...(展开全部)

Originally published in 1983 and named one of the Best Books of the Year by the New York Times, this bestselling history is now revised and updated and includes a new final chapter. "Truly a distinguished work of history...Modern Times unites historical and critical consciousness. It is far from being a simple chronicle, though a vast wealth of events and personages and histori...(展开全部)

In Abundance, Anjali Arondekar refuses the historical common sense that archival loss is foundational to a subaltern history of sexuality, and that the deficit of our minoritized pasts can be redeemed through acquisitions of lost pasts. Instead, Arondekar theorizes the radical abundance of sexuality through the archives of the Gomantak Maratha Samaj—a caste-oppressed devadasi c...(展开全部)

《S/Z》是一本标志性的理论著作，它既是罗兰·巴特文学思想的一次发展，也是所谓的结构主义向后结构主义转变的一个里程碑。而这所谓的标志性的里程碑，就是罗兰·巴特从过去那种单纯地运用符号学和结构主义叙事学的相关语言及文学理论，把文学作品当作一个完整的对象，当作一个具有相对独立性的和总体性的精神现象来看待的指导思想，转变成了把文学作品看成是一种文本，一种文本的动态构形过程，更多地呈现为片断性、发散性和游戏性特征的解构观念，文本不仅是一种特有的游戏对象，而且它自身就处于游戏活动之中。这次罗兰·巴特在基本文学思想观念上的著名转变，已经被写进了无数的文学理论教科书里。

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